Saturday, December 18, 2010

Where Can I Find A Chart For Pokemon Cards?

Presentation of "Between totalitarianism and democracy: the civil service ethics "

Friday, January 7 '11
18.30
Library
Rebirth Via Savoia 30, Rome
Presentation of the book e-book
(PhD thesis in Philosophy and Theory of Human Sciences ")
Federico Sollazzo,
between totalitarianism and democracy: the civil service ethics
E-book: http://www.tesionline.it/default/tesi.asp?idt=28753

Introduced, Miriam Iacomini (PhD in Philosophy and Theory of Human Sciences ")
spoke to the author, Frederick Sollazzo

Patronage:" l 'Extrovert' lestroverso.it

(From 'Introduction )

The concept of totalitarianism inevitably recalls that of his, at least apparently, the opposite: democracy, so that, reasoning would appear on one crippled without the other. In turn, reflection on democracy opens the field to the most recent ethical arguments, aimed at seeking a peaceful, harmonious and fulfilling human society, to the point that the transition from the analysis of one (democracy) than the other (the new current ethical), appears as the declination of the same speech, one on human society, in its two complementary sides: the political and the moral. This path made up of conceptual categories ringed necessarily to each other, then flows into a philosophical proposal, briefly defined by the formula of "disjunctive synthesis", aimed at identifying a possible path to social peace, based on a "moral minimum acceptable", sinking its roots in human biology and emotions.

(reviewer Miriam Iacomini)

As the author reminds us, the dehumanizing of the totalitarian esprienza requires the recapture of a new dimension of thought required "to transcend the (... ) individual limitations, isolation, loneliness, towards the recognition of the presence of others. "

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Monday, December 13, 2010

Parts Of Ship With Diagram And Explanations

philosophy and advanced technology company

Seminars Philosophy
philosophy and advanced technology company

Program

Anthropology and technical Arnold Gehlen
Tuesday, December 21 '10, 18:30

The issue of technology in Martin Heidegger
Tuesday, December 28 '10, 18:30

Neutrality of technology and (re) orientation of technology in Herbert Marcuse
Tuesday, Jan. 4 '11, 18:30

Rapporteur, Federico Sollazzo
(Curator of "criticality" constructive -mente.blogspot.com;
Ph.D. in Philosophy and Theory of Human Sciences, University Roma Tre,
Researcher of Moral Philosophy and Lecturer, University of Szeged - Hungary -)

Library Renaissance Coffee,
Gasperina Street, 161
Rome

Free admission

Patronage, "the extrovert" lestroverso.it

Presentation
Frederick Sollazzo

Conscious or not, a certain kind of modernity continues to advance, constantly reshaping so that they can lodge in any space, physical and existential.
Whether you want to accept, is that one may choose to refuse, whether you want to make a selective choice, it is first necessary to understand the nature, now bound in glove with technique, or better, with a certain type of technology, to the point that now the company's history does not will be closer to human history, but as the history of technology, against which man appears as a mere accessory.

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Monday, December 6, 2010

Brent Everentt With Brent

between totalitarianism and democracy

Luigi Carotenuto (luigicarotenuto@live.it)

Federico Sollazzo, between totalitarianism and democracy: the civil service ethics , Tesionline, Arcore (MI) 2009


To begin the essay by Federico Sollazzo, I am reminded of a statement by the director Robert Bresson, on the occasion of his penultimate film, perhaps the most extreme Le diable probablement : "He pushed me to make this film the waste that we do everything in this mass civilization where soon the individual will no longer exist. This huge undertaking demolition, where we will perish if we believed to live, you should also incredible indifference to all except the youth of today some of the most lucid. " It was 1977 and the hero of that film, a young man, moved his indictment on a society already deeply influenced by new technology and the socio-political superstructure.
Today, Federico Sollazzo, we propose a highly polished essay, perhaps moved, even unconsciously, for reasons similar to those of the famous filmmaker, of course with the confidence of those who believe in the philosophy not only as a mere tool probing, speculative but as a means to implement tangible and profound social change. Although, "The world has never heard its philosophers, their lamentations," Bauman ADJUDGED, and elsewhere states that 'there are no local solutions to global problems. " In this work, Sollazzo takes the threads of a tight, hot dialogue between ancient and modern thinkers, the leitmotif logos, mistreated, exploited, often used only for man-lust for power (as noted by Jonas quoting Sophocles' Antigone "Life has many tremendous forces, and yet nothing more than man, you see, is tremendous," p. 115). A text (specifically, the PhD in Philosophy and Theory of Human Sciences "), which, as the author points out in the introduction, stems from preliminary research on the concept of totalitarianism, been growing as the magma was opened to other conceptual considerations, however, addressed to all human destiny. Moving in the first part, mainly by considerations of Arendt and the exponents of the Frankfurt School, the text focuses (and is one of the most interesting) on \u200b\u200bthe crisis of individual reason produced by totalitarian governments that leads up to the tragic Nazi genocide. In any totalitarian state, always supported by ideologies enslaved to the system and created just the same, there comes a process of dehumanization and "desublimation" of art, language objectifies and is gradually taking shape that 'man one-dimensional "described by Marcuse in which even" the word becomes a cliché "(p. 44). Main defense shield thought ("The thinking is in itself a sign of strength which indicates the commitment not to be the most deceiving," Horkheimer, p. 47); disturbing questions, such as, for our contemporaries, find it again in a scheme assolutizzante, tyrannical, in addition to the formal vision of the risks involved in democracy, often as a mask that oligarchic system, for there is no guarantee of fairness where political apathy "induced" is a way unscathed . In fact, the city is "educated" to use their vote only as a bargaining chip, the logic of tit for tat already reported in the nineteenth century by Tocqueville (p. 78). Sollazzo insists, this comes as a critical levee, on a practical philosophy and a reconciliation of ethos and logos (p. 83), since, as argued by Habermas, more and more private life is advertised as the public sphere becomes intimate, segregation (and in this connection is cited the beautiful book of Elias Canetti, Crowds and Power , p. 79). In addition, the holders of cultural sites, such as universities, museums, theaters, they should raise their voice, sounding board, ethical and civil consciousness is lost when the collective self-consciousness, for escape to the industrial culture that negates all powers of imagination and stiffens lifestyles (p. 88).
The author, finally, after taking into consideration the concepts of totalitarianism, democracy and the various possible ethical public, in the last chapter considers, without concessions utopian illusions, the prospects of a possible social peace. Here part of the "know thyself" Socratic to emphasize that modern man and contemporary is the focal point is not to reduce the issues previously discussed in banal simplifications. You must include all the problematic of human life today and from here onwards for a decisive attitude that takes into account But in any context (and even of every man, as pointed out by Sollazzo at the conclusion of his work, p. 157) and began in earnest a process of exchange between different cultures, with mutual respect to their peculiarities that make them unique and at the same time universal.

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Wednesday, December 1, 2010

Zud Cleaner Canada Where To Buy

Poetry" pagan "by Yves Bergeret

Francesco Barresi ( ruutura@hotmail.it)

words, nature, man: a triad of happy Yves Bergeret, French poet and tireless explorer of the world that has begun with several publications in prose and poetry in recent times, revealing new emerging for his poetic experiments.
His recent publications include works count as the mountains are parle (Voix d'encre, Montélimar 2004), and word Mountains (Gangemi, Roma 2005), La Maison des peintres de Koyo (Voix d ' encre, Montélimar 2007), The sea speaks / La mer parle ("The Notebooks of law," 2007, edited by Biagio Guerrera and John Miraglia), confirming its ability to comparison with the landscape, and especially with the mountain, the mountain is in fact a privileged place of his goals and his Poetry. Often his travels include special performances, using the collaboration of musicians to enhance the evocative meaning of his poetry, which seems a happy communion revive the ancient rituals which were celebrated with primitive forces of nature. A simple reading of his texts at the table because it would be reductive Bergeret's poetry is not meant to be read and consumed in places of the soul but to be performed in large open spaces, to restore an ancient dialogue between nature and man in a endless search of all the primal forces of the world and of man, reinventing a sacred ancient with the vehicle of poetry. He is a poet who has traveled extensively (Mali, Cyprus, Guyana, Martinica, Sahel): la sua professione di fede nella poesia lo pone come ricercatore in vari luoghi del mondo e tra questi la Sicilia, dove ha collaborato con il ceramista di Caltagirone Andrea Branciforti e, a Noto, con gli artisti Pia Scornavacca e Carlo Sapuppo. Il felice incontro con la ricca civiltà siciliana ha prodotto il suo “Poema dell’Etna”, un lungo componimento e insieme una celebrazione del grande vulcano, in cui Bergeret da prova della sua langue espanse , in una ricerca poetica in cui tutti i segni dello spazio appartengono alla lingua, quindi in un approccio teorico e pratico vissuto all’insegna di una forte relazione con il mondo.
La sua è una liturgia atea, contemporanea, pagana, che valorizza la natura come luogo sacrificale per la sua poesia e come unica deità da venerare, affinché le sue parole possano rivelare l’energia intrinseca e dimenticata della natura con l’ausilio della musica e in particolare degli strumenti a percussione. Proprio per questo Bergeret definisce la sua poesia “geologica”, perché la sua ricerca poetica mira a riproporre un’unità originaria tra la terra e il cielo, tra le forze primordiali della natura e la forza evocativa delle sua poesia-liturgia, come ben dimostra l’interpretazione metaforica dell’Etna. «Il vulcano – afferma Bergeret – è la violenza dell’origine, come se il dito di Dio si fosse impresso nella land and the land he had tried to keep him here and was born on Etna, a force of destruction as a peaceful man who lives his foot, to the amazement of its streams of lava and the fear of imminent destruction. " "The person who puts a sign" is defined Bergeret, just like the signs that research and who has impressed on lava stone with a brush dipped in during his "trip", a clear demonstration of its quest for a dialogue between nature and the poetry of the latter and the privileged access key to its itinerarium a poet and man in the world.

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