Francesco Barresi ( ruutura@hotmail.it)
words, nature, man: a triad of happy Yves Bergeret, French poet and tireless explorer of the world that has begun with several publications in prose and poetry in recent times, revealing new emerging for his poetic experiments.
His recent publications include works count as the mountains are parle (Voix d'encre, Montélimar 2004), and word Mountains (Gangemi, Roma 2005), La Maison des peintres de Koyo (Voix d ' encre, Montélimar 2007), The sea speaks / La mer parle ("The Notebooks of law," 2007, edited by Biagio Guerrera and John Miraglia), confirming its ability to comparison with the landscape, and especially with the mountain, the mountain is in fact a privileged place of his goals and his Poetry. Often his travels include special performances, using the collaboration of musicians to enhance the evocative meaning of his poetry, which seems a happy communion revive the ancient rituals which were celebrated with primitive forces of nature. A simple reading of his texts at the table because it would be reductive Bergeret's poetry is not meant to be read and consumed in places of the soul but to be performed in large open spaces, to restore an ancient dialogue between nature and man in a endless search of all the primal forces of the world and of man, reinventing a sacred ancient with the vehicle of poetry. He is a poet who has traveled extensively (Mali, Cyprus, Guyana, Martinica, Sahel): la sua professione di fede nella poesia lo pone come ricercatore in vari luoghi del mondo e tra questi la Sicilia, dove ha collaborato con il ceramista di Caltagirone Andrea Branciforti e, a Noto, con gli artisti Pia Scornavacca e Carlo Sapuppo. Il felice incontro con la ricca civiltà siciliana ha prodotto il suo “Poema dell’Etna”, un lungo componimento e insieme una celebrazione del grande vulcano, in cui Bergeret da prova della sua langue espanse , in una ricerca poetica in cui tutti i segni dello spazio appartengono alla lingua, quindi in un approccio teorico e pratico vissuto all’insegna di una forte relazione con il mondo.
La sua è una liturgia atea, contemporanea, pagana, che valorizza la natura come luogo sacrificale per la sua poesia e come unica deità da venerare, affinché le sue parole possano rivelare l’energia intrinseca e dimenticata della natura con l’ausilio della musica e in particolare degli strumenti a percussione. Proprio per questo Bergeret definisce la sua poesia “geologica”, perché la sua ricerca poetica mira a riproporre un’unità originaria tra la terra e il cielo, tra le forze primordiali della natura e la forza evocativa delle sua poesia-liturgia, come ben dimostra l’interpretazione metaforica dell’Etna. «Il vulcano – afferma Bergeret – è la violenza dell’origine, come se il dito di Dio si fosse impresso nella land and the land he had tried to keep him here and was born on Etna, a force of destruction as a peaceful man who lives his foot, to the amazement of its streams of lava and the fear of imminent destruction. " "The person who puts a sign" is defined Bergeret, just like the signs that research and who has impressed on lava stone with a brush dipped in during his "trip", a clear demonstration of its quest for a dialogue between nature and the poetry of the latter and the privileged access key to its itinerarium a poet and man in the world.
words, nature, man: a triad of happy Yves Bergeret, French poet and tireless explorer of the world that has begun with several publications in prose and poetry in recent times, revealing new emerging for his poetic experiments.
His recent publications include works count as the mountains are parle (Voix d'encre, Montélimar 2004), and word Mountains (Gangemi, Roma 2005), La Maison des peintres de Koyo (Voix d ' encre, Montélimar 2007), The sea speaks / La mer parle ("The Notebooks of law," 2007, edited by Biagio Guerrera and John Miraglia), confirming its ability to comparison with the landscape, and especially with the mountain, the mountain is in fact a privileged place of his goals and his Poetry. Often his travels include special performances, using the collaboration of musicians to enhance the evocative meaning of his poetry, which seems a happy communion revive the ancient rituals which were celebrated with primitive forces of nature. A simple reading of his texts at the table because it would be reductive Bergeret's poetry is not meant to be read and consumed in places of the soul but to be performed in large open spaces, to restore an ancient dialogue between nature and man in a endless search of all the primal forces of the world and of man, reinventing a sacred ancient with the vehicle of poetry. He is a poet who has traveled extensively (Mali, Cyprus, Guyana, Martinica, Sahel): la sua professione di fede nella poesia lo pone come ricercatore in vari luoghi del mondo e tra questi la Sicilia, dove ha collaborato con il ceramista di Caltagirone Andrea Branciforti e, a Noto, con gli artisti Pia Scornavacca e Carlo Sapuppo. Il felice incontro con la ricca civiltà siciliana ha prodotto il suo “Poema dell’Etna”, un lungo componimento e insieme una celebrazione del grande vulcano, in cui Bergeret da prova della sua langue espanse , in una ricerca poetica in cui tutti i segni dello spazio appartengono alla lingua, quindi in un approccio teorico e pratico vissuto all’insegna di una forte relazione con il mondo.
La sua è una liturgia atea, contemporanea, pagana, che valorizza la natura come luogo sacrificale per la sua poesia e come unica deità da venerare, affinché le sue parole possano rivelare l’energia intrinseca e dimenticata della natura con l’ausilio della musica e in particolare degli strumenti a percussione. Proprio per questo Bergeret definisce la sua poesia “geologica”, perché la sua ricerca poetica mira a riproporre un’unità originaria tra la terra e il cielo, tra le forze primordiali della natura e la forza evocativa delle sua poesia-liturgia, come ben dimostra l’interpretazione metaforica dell’Etna. «Il vulcano – afferma Bergeret – è la violenza dell’origine, come se il dito di Dio si fosse impresso nella land and the land he had tried to keep him here and was born on Etna, a force of destruction as a peaceful man who lives his foot, to the amazement of its streams of lava and the fear of imminent destruction. " "The person who puts a sign" is defined Bergeret, just like the signs that research and who has impressed on lava stone with a brush dipped in during his "trip", a clear demonstration of its quest for a dialogue between nature and the poetry of the latter and the privileged access key to its itinerarium a poet and man in the world.
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